Deathly Hallows

by Dave

Part I of this series: Why Joker Succeeds and Voldemort Fails

“Behind the scenes” is a trope of long standing tradition in many forms of literature. In a recent essay on Mary Shelley’s Frankenstein, Terry W. Thompson argues that the violent deaths occur off the page as a direct result of Shelley’s love of classical Greek drama in which decorum often dictated a strict sense of what drama could portray and what it couldn’t:

Over two millenia ago, when the plays of [Euripides, Aeschylus, and Sophocles] were performed live for theater patrons in Athens, Corinth, Epidaurus, the many acts of murder and mayhem so integral to Greek tragedy were never carried out on the state proper. Only the gruesome aftermath could — within the bounds of good taste — be presented to the audience. Blood could be shown; indeed, it frequently was to the delight of many theatergoers; but the actual spilling of it was strictly forbidden. Thus, all the stabbing and slashing, hacking and hewing was done well out of sight — behind closed doors or drawn curtains. (58)

But, this convention is not purely a matter of decorum. It also hints back to one preoccupation of Greek drama, tragedy particularly: what matters are the consequences and their causes. [click to continue…]

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