For our final week of A Hog’s Head Halloween 2009, we return to the godfather of modern horror, H.P. Lovecraft. If you’re not yet familiar with the master of fear, read Amy H. Sturgis’s helpful post from last year, “Getting into the Lovecraft Zone.”
Since we haven’t talked about zombies yet this month, we’ll make the featured story for this week Lovecraft’s very short “In the Vault.” (HT to Amy, once again, for reminding me of zombies and this story at her blog today).
There’s lots of Lovecraft material already here at The Hog’s Head, since we’ve read 10 of his stories together over the past 2 years. We were smart enough to tag some of it, so you can find a lot of material here. For more, use the search bar on the right!
A large, framed poster of this pulp magazine cover is the centerpiece of my home office.
Today, 119 years ago, H.P. Lovecraft was born. For the last two Octobers, we’ve read H.P. Lovecraft stories together here in the pub, and Lovecraft’s understanding of supernatural horror in literature informed my chapter on Fear in Harry Potter & Imagination: The Way Between Two Worlds. While we’ll move to the works of other authors this coming October (we’ll read just one Lovecraft story, instead of 5, and do some Stoker and Poe this year), Lovecraft remains a favorite for me.
Amy H. Sturgis, who has done fantastic work on Lovecraft (with more forthcoming), has a collection of Lovecraft links today. And I highly recommend her “New Shoggoth Chic: Why H.P. Lovecraft Now?“.
For what Lovecraft has to do with the frightening elements of Harry Potter, see chapter 3 in Harry Potter & Imagination.
Stephen King recently gave an interview to USA Weekend in which he made some interesting comments about Richard Matheson, H.P. Lovecraft, J.K. Rowling, and Stephanie Meyer:
King, whose Stephen King Goes to the Movies collection came out last week, doesn’t know how much of an influence he had on Meyer, but he does know that Rowling read his stuff when she was younger. “I think that has some kind of formative influence the same way reading Richard Matheson had an influence on me,” King explains. “People always say to me, ‘Well, what about H.P. Lovecraft?’ And the thing was, you read Lovecraft when you were a kid but I never felt that he was speaking my language. It was chillier than my heart was, and when Matheson started to write about ordinary people and stuff, that was something that I wanted to do. I said, ‘This is the way to do it. He’s showing the way.’ I think that I serve that purpose for some writers, and that’s a good thing. Both Rowling and Meyer, they’re speaking directly to young people. … The real difference is that Jo Rowling is a terrific writer and Stephenie Meyer can’t write worth a darn. She’s not very good.“
There’s a lot I’d like to unpack there, but I’m going to leave most of it for the pub’s perceptive patrons. Just a few notes and questions:
- I find his description of response to Lovecraft interesting. Is your response to Lovecraft similar to King’s, or different?
- Whatever you think of King’s writing (I happen to like it), he’s a guy who’s done a lot of solid thinking … ahem … On Writing. I don’t agree with all of this thoughts on the craft, but on the whole, On Writing is a must-read for aspiring authors. This, in my mind, lends a bit of credibility to his assessment of Rowling v. Meyer. Thoughts?
- Read the rest of the article. What do you think of his other thoughts on the non-threatening, “safe” nature of Meyer’s novels?